by Big Hush

  • Cassette + Digital Album

    second run, home-dubbed chrome tape, solid black shell

    Includes unlimited streaming of Wholes via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 100  2 remaining

      $6 USD or more 


  • c14 – Ed. 100
    Cassette + Digital Album

    pro-dubbed chrome tape, solid black shell

    Includes unlimited streaming of Wholes via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out



BIG HUSH play patient shoegaze folk sentiments, with crystalline vocal harmonies piercing through three layers of fuzzy sepia-toned guitar. Hazy rock melodies washed in sunburnt distortion flow through all four tracks, blanketing your ears in an enigmatic overdrive like a warm breeze enveloping your outstretched hand while cruising windows-down on an open road in the mid-afternoon. Dreamy and seductive, this release will have you feeling somewhere between a comatose kitten and a hypnotized house plant.

all tapes come with free digital download, but you can get mp3s here:

* * *

"The sound is one that functions not unlike the band’s name would leave you believe. It’s a sound that barrels through a wooly cavern with robust, toothy guitars, hypnotically layered vocals, and glassy, portentous drums...contemplative, staring at the ceiling above your bed sort of music... Every track of the EP feels like it’s peeling away at the initial sound the band serves up – becoming more vulnerable with every song, yet extremely bold at every turn. At end, you are simply left to press play again." – Decoder Magazine

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"Its title track is its most articulate, even while its vocals sound like sighs. As Ludwig’s feathery voice hangs in the air, Wuerker and guitarist Sean Borja go back and forth on guitars in a call-and-response. The bass, played by Chris Taylor, sounds like it’s leading us down a rabbit hole." – WAMU Bandwidth

* * *

"From full on shoegaze sustain to amplified campfire folk, Big Hush’s repertoire to date maps out a clear path of progression to their newest collection of songs...The four tracks featured on Wholes blend the delicate with the overwhelming. The soft-nurtured vocal expressions combined with guitar tones that can cry, sing and growl all at once make for the most affecting noise-pop you’re likely to hear any time soon...Wholes features tight instrumentation and seemingly effortless harmonies bundled with powerful songwriting. Big Hush seems like a band that does the most with what they have available so while this is a pretty fuzzy tape, they push past the lofi sound to deliver fantastic songs. The use of dynamics on “Wrong House” where guitars swell to the track’s peak show how great Big Hush is at establishing atmosphere and drawing you in. Wholes is only 4 tracks long so it’s definitely worth looking into and it serves as the perfect entry point to the rest of Big Hush’s work." – GoldFlakePaint

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"sunny tunes with remarkable tact and unarguable hooks, turning the blacktop into a bonafide dance party. Smiles on smiles, Big Hush played one of the most memorable sets I’ve seen this year...their execution is invigorating and artful" – Frontier Psychiatrist

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"a collection of fantastic, slow burning tracks... patiently written and fuzzed out in the best way possible." – Heart And Soul

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"wonderfully melodic vocal hooks that stay in your mind long after listening." – 9:30 Club <5k

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"instantly captivating, wrapping you up like a blanket with fuzzy, shoegazey sonics that gently allow interesting, sweet harmonies to appear, cloud-like...the instrumental melodies resonate directly, creating a balanced sound with a ton of energy bouncing behind the softer feeling, distorted atmospherics...the performances and harmonies are tight, but the record feels energetic, loose, and free. Throughout, Wholes simply feels great to listen to." – DCist

* * *

"a pensive yet compelling release that highlights Big Hush’s range and breadth as composers and songwriters...elegant, smoothed-out, sentimental and sinuous shoegaze...a brilliant blend of droopy, dreamy and fuzzy guitars sweetly bathed by Genevieve Ludwig’s softly-sung folk-pop vocals. Big Hush is a band that needs to be heard" – DC Music Download

* * *

"Big Hush shucks the limitations of the shoegaze sound, pushing vocal melodies and lyricism to the forefront and using their noisy instrumental texture as support rather than the center of the song. The result is a huge step forward for the band; their loudest tendencies now affect the emotive character of the compositions, and showcase their deft songwriting." – Brightest Young Things

* * *

"Though Big Hush presents the veneer of shoegaze—barely distinguishable guitars, fuzz—that’s a deceptive impression. The guitars twang more like Dinosaur Jr. than My Bloody Valentine, and there’s little indulgence in shoegaze's noisy excesses. Big Hush’s songs are mostly three-minute concentrations of moody, solid indie-pop songwriting, with melodic dueling vocals and harmonies that poke out above the hiss of tape and distorted guitars." – Washington City Paper


released November 4, 2014




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